Zendle's Jewish Miscellany and Trivia
Max Bacon - Jewface?
Man, oh, Manischewitz
IF G-D HAD A PC
IF G-D HAD A PC
In the beginning, there was the computer.
And G-d entered:
C:\>Let there be light!
Enter user ID
C:\>G-d
Enter password
Lou Preagar
One of the lesser known Jewish bandleaders, but for ill health, Lou Preagar (sometimes spelt as Praegar) would
have lasted the distance. He showed himself willing and able to accept the new
styles of music that abounded post-war.
He was born in 1906 in Poplar son of a tailor (we are told).
He appeared in the music scene in a professional manner in the mid-twenties,
aged 19, having dabbled with bands in a semi-professional way before them while
working in an accountancy office.
Harmonica (Part 3) - Harry Pitch
Harmonica (Part 2) - Larry Adler
Turning to Adler, whereas Geldray’s musical career was
largely European, and Pitch’s British, Adler’s was largely American.. In his
lifetime, too, he knew and worked with or for some of the greats of the music
business.
Harmonica (Part 1). Max Geldray.
The Harmonica, sometimes called the mouth organ, is an instrument with a unique sound. While it is not mainstream, some harmonica tunes have become iconic in their own right, such as the Ennio Morricone’s harmonica track in “Once a Time in the West” or in Britain, the theme tune of “Last of the Summer Wine”.
Arguments rage over the ‘best’ harmonica players of all time;
from obscure but gifted specialist blues/jazz players to those who have made
the most famous use of the instrument such as Bob Dylan, Stevie Wonder and John Lennon. Of the latter three
musicians stood out in the British public consciousness…… and were Jewish. They
were Max Geldray, Larry Adler, and Harry Pitch, a Dutchman, an American, and a
Brit.
To avoid them becoming part of the Forgotten History of the Jews, we need to refresh our memories and remind ourselves of the impact that they made in Britain during their careers, so here they are……
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